Skip to Videos
  • Callar es olvidar / 2024
    • 3/4/25

    Callar es olvidar / 2024

    “Callar es Olvidar” is an audiovisual proposal that gives voice to the migration experiences of Ecuadorian people, capturing their stories through intimate and deeply human testimonial videos. This project not only seeks to make visible the reasons why many people decide to leave their place of origin, but also to explore the dangerous routes they take, the precarious conditions in which they travel-such as coyoterism and the loans that tie them down-and the impact on those left behind.

  • Somos Páramo / 2024
    • 2/26/25

    Somos Páramo / 2024

    The páramo is not just a landscape; it is a silent witness, a guardian of stories. In “Todos somos Páramo”, the documentary is built from the intimate voices of three characters who, from their own trenches, seek to understand this unique ecosystem. But it is not only a look at the present: it is a journey into the past that illuminates the future, a future woven between tensions, external pressures and the immensity of the páramo.

  • Wawamama / 2023
    • 2/26/25

    Wawamama / 2023

    “Wawamama” is a short documentary that explores the knowledge of a midwife woman, guardian of the ancestral knowledge of midwifery and healing. Through her story, it reveals how migration has transformed her community, taking her traditions beyond geographical borders. The territory is no longer the same, but her craft of healing, caring and sustaining persists wherever her community needs it, keeping traditional medicine alive in an ever-changing world.

  • Una Casa en el Camino / 2021
    • 3/4/25

    Una Casa en el Camino / 2021

    This short film is part of the documentary series “Caminantes: Lives that Matter”, produced by the Audiovisual Cooperative Una Casa en el Camino. The story centers on Antonia, a Venezuelan woman who, for the past two years, has been living in an abandoned school in Monte Sinai, an impoverished area of Guayaquil. During the 2020 pandemic, this place became a refuge for many Venezuelan families who, like Antonia, were looking for a roof over their heads.

  • ATAHUALPA / 2018
    • 10/18/21

    ATAHUALPA / 2018

    In the cold, silent dawns of Quito, Ernesto is already awake. With his tricycle as his faithful companion, he navigates the Wholesale Market, loading and transporting food for over eight hours. A porter by trade, Ernesto sustains his family, living humbly nearby. His story is one of resilience—a migrant who has learned to fight daily in the city, facing adversity with unwavering effort and perseverance. A testament to dignity and struggle.

  • CELINDA / 2017
    • 3/4/25

    CELINDA / 2017

    Celinda is a sheller who lives in the San Roque market. More than 18 years ago she migrated from the countryside to the city, arriving with only Kichwa as her language. In this market, she has raised her children, learning to speak Spanish to survive racism and daily exclusion. Her life ceased to be that of the countryside to adapt to the urban rhythm, where she commutes every day to work as a sheller.

  • Neither homeland nor sacred land / 2012
    • 3/4/25

    Neither homeland nor sacred land / 2012

    This is a video in support of the RIO GRANDE DEFENSE COMMITTEE and the peasant communities affected by the construction of the Chone Multipurpose Project Dam. This product shows the daily and organizational work of the peasant families and communities that fight for the defense of their territory, as well as the effects that the construction of the dam will have on the lives of thousands of small farmers.

This series of short videos is a living testimony of my commitment as a documentary filmmaker and partner in struggle. Here, the camera is not a tool to extract stories, but a bridge to be part of them. To document is to put the body, the knowledge and the heart at the service of collective causes, both others' and our own. It is living in community, supporting each other and building together.

Each video is an invitation to reflect on the importance of documenting from the inside, of being part of the struggles and not just an external observer. It is a call to solidarity, to action and to the construction of a world where cinema and life are intertwined in the same community fabric.